conservación de arte y museología


  • Brown, C & Gomez Lobon, M 2016, ‘Study and Documentation of the Materials and Techniques of Tasmanian Artist Philip Wolfhagen and the implications of the use of beeswax medium in his paintings’, AICCM Bulletin, 37:2, 66-76 (Peer Reviewed journal)
  • Tait, R & Gomez Lobon, M 2016, ‘The conservation treatment and visual reintegration of a major repair of a painted portrait photograph of the Reverend William Henry Browne’, AICCM Bulletin, 37:2, 87-95 (Peer Reviewed journal)
  • Halim, S y Gomez Lobon, M 2010, ‘Dangerous Curves Ahead: The Technical Study and Conservation of Anthony Poon´s paintings in Singapore’, poster presentado en el simposio internacional Contemporary Art:Who Cares? Amsterdam, junio 2010
  • Gomez Lobon, M 2009 ‘A life of experimentation: an insight into Cheong Soo Pieng’s painting materials and techniques’, publicado online para la inauguración de la exposición  Cheong Soo Pieng: Bridging Worlds, accesible online
  • Gomez Lobon, M 2009 ‘Beyond the Painted Surface: Conserving the Yeh Chi Wei Paintings in the National Heritage Board Collection’ , Catálago de la exposición  The Story of Yeh Chi Wei, accesible online
  • Gomez Lobon, M y deFarias, J 2008, ‘The conservation treatment of a large varnished watercolour by Tasmanian colonial artist Frederick Strange (c.1807–1873)’ AICCM Bulletin, Vol 31, pp. 44-52. (Peer Reviewed journal)
  • Gomez Lobon, M 2005, ‘New Methods of Cleaning Painted Surfaces’ (Course review), AICCM National Newsletter No. 94, pp. 19-20
  • Gomez Lobon, M and Guasch, V 2002, ‘Restauració de dues mènsules gòtiques precedents de la Cúria Reial, de Castelló d’Empúries’, Rescat Butlletí del Servei de Restauració de Béns Mobles, No. 11, p. 5